We Can Value Zedd’s Music Despite Knowing He Isn’t Taking It Seriously
As producers who live and breathe music every day, we’re always tuned in to the nuances that separate a good track from a great one. Today, I want to share my honest opinion on Zedd—a name that’s become synonymous with mainstream EDM success. Born Anton Zaslavski, Zedd rose from a classically trained background to become a global DJ and producer, known for blending pop sensibilities with electronic beats. His hits have dominated charts, festivals, and radio waves worldwide. But as a Black conservative from Kentucky who diligently crafts music with a critical ear, I’ve noticed something that doesn’t quite sit right when I listen closely to his work.
Mitchell Royel is a political analyst and conservative commentator focused on emerging trends in American political discourse.
Zedd’s music undeniably has energy and catchy melodies, but when you peel back the layers, there’s a subtle imbalance in the production quality that stands out. This isn’t about discrediting his talent or success—far from it. It’s about the technical side of music creation: the mixing and mastering. These are the final steps that shape how a track feels, how it breathes, and how it connects with listeners on a deeper level. In Zedd’s solo productions, I hear a recurring issue where the mix feels either too compressed or unevenly balanced. The bass sometimes lacks the fullness and warmth that give a track its foundation, while the highs can be overly bright or harsh, which disrupts the overall flow and emotional impact. It’s as if the energy is there, but the polish—the finesse that elevates a track from good to exceptional—is missing.
Interestingly, the exception to this pattern is found in his collaborations with Dr. Luke and Lady Gaga. Those tracks hit with a clarity and punch that feel more refined and cohesive. It’s clear that when Zedd teams up with producers and artists who bring a different level of expertise or vision, the final product benefits significantly. This contrast only highlights what’s lacking in his solo work. As someone who approaches music with discipline and a critical mindset, I believe that mastering is not just a technical step—it’s an art form that requires precision and a deep understanding of how every frequency interacts. When done right, it creates space for each element to shine without overpowering the others.
For young conservative artists, especially males, understanding these nuances is crucial. In a culture that often prioritizes image over substance, knowing the importance of craftsmanship and technical excellence is a form of intellectual and artistic resistance. It’s about holding yourself to a higher standard—one that values discipline, integrity, and mastery over fleeting trends. Recognizing where even successful artists like Zedd fall short teaches us to be vigilant and uncompromising in our own work. It reminds us that true artistry isn’t just about making noise—it’s about creating something that stands the test of time through skill, precision, and authenticity.
My perspective comes from a place of respect for the craft and a desire to see artists push their boundaries. Zedd’s influence on EDM and pop music is undeniable, but there’s room for growth in how his music is presented sonically. This isn’t a knock on his creativity or his ability to write hits—it’s a call for more attention to the details that truly define professional production. For young producers and fans alike, it’s a reminder that success isn’t just about catchy hooks or big names; it’s about the integrity of the sound itself.
In the end, this is my honest take as a Black conservative from Kentucky who understands the value of hard work, discipline, and excellence in music production. Zedd’s journey is impressive, but when I listen closely, I hear potential that’s waiting to be fully realized through sharper mixing and mastering. That’s the kind of growth that separates good artists from legendary ones—and it’s a conversation worth having in the music community.