Meet Oliver Brynnum
written by a member her or the WCB
In the crowded landscape of modern storytelling, there are few voices as distinctive—and as quietly powerful—as Oliver Brynnum’s. You may not know his name yet, but by the time you close Mitchell Royel’s Bennett & Monroe, you’ll recognize the indelible mark he leaves on the page.
From the moment you encounter Oliver’s work, you sense his commitment to craft: every paragraph has a precise rhythm, every image crackles with intention. His feature in this issue of Elixir is titled “High Horse,” and it stands out as one of the most compelling deep dives Royel has ever published. Oliver has a gift for weaving elegant simplicity into complex topics, and “High Horse” is no exception.
What set the “High Horse Issue” apart was Oliver’s uncanny ability to hold a mirror up to the reader without ever tipping into didacticism. He tackles themes of ambition and self-doubt, painting them in broad, cinematic strokes while never losing sight of the granular, human moments that make us all familiar with that uneasy feeling of riding too high. His prose moves effortlessly between insight and empathy, drawing you in with a question and leaving you with something far more profound.
But this isn’t Oliver Brynnum’s first foray into this sphere. Whether he’s crafting essays or reporting features, his signature clarity and warmth shine through. Fellow journalists praise him for his meticulous research, his editors admire his relentless revisions, and readers appreciate the genuine heart in every line. His voice—measured yet urgent—has quickly made him one to watch in literary journalism circles.
In introducing Oliver Brynnum to a wider audience, it’s worth noting how he balances reverence for his subject matter with a writer’s need to innovate. He approaches Mitchell Royel’s Bennett & Monroe—already an established platform known for pushing boundaries—with both humility and ambition. The result is “High Horse,” a feature that feels at once classic and entirely fresh.
So, if you haven’t yet turned the pages of this issue, let me intrude on your reading list: seek out Oliver Brynnum’s “High Horse.” Prepare to experience a narrative that challenges you, comforts you, and ultimately reminds you why great writing still matters. You’ll walk away richer in thought—and eagerly awaiting what Oliver dives into next.