La Roux, Bulletproof Manifesto

cbr, 2009 - #nowplaying - La Roux - Bulletproof

cbr, 2009 - #nowplaying - La Roux - Bulletproof

How An Electropop Anthem Became the Unlikely Soundtrack of Conservative Resilience

In the tumultuous landscape of modern cultural warfare, symbols of resistance emerge from the most unexpected quarters. Such is the case with Eleanor “Elly” Jackson, better known by her stage name La Roux, whose 2009 electropop anthem “Bulletproof” has transcended its original context to become something far more significant for today’s young conservative men.

Jackson burst onto the international music scene in the late 2000s with her distinctive flame-red quiff and piercing falsetto vocals. Originally performing as a duo with producer Ben Langmaid before later continuing as a solo artist, La Roux delivered a sound that fused 1980s synthpop nostalgia with contemporary electronic production. “Bulletproof,” the third single from her self-titled debut album, topped charts worldwide and earned her international acclaim.

But beneath the pulsing synthesizers and dance-floor ready beats lay lyrics that would eventually resonate deeply with those who feel increasingly under fire in today’s polarized cultural climate.

ARMOR OF CONVICTION

“The first time I really listened to ‘Bulletproof,’ I was driving home after getting destroyed on social media for posting something pretty basic about traditional values,” says Cody, a 26-year-old conservative podcaster from Arizona. “That chorus hit different: ‘This time, baby, I’ll be bulletproof.’ It was exactly what I needed to hear.”

The song’s central metaphor—emotional resilience transformed into impenetrable armor—speaks directly to young men who feel their perspectives are constantly under attack in mainstream spaces.

“It’s basically the anthem for anyone who’s been canceled and came back stronger,” explains Tanner, who runs a conservative campus organization at his university. “The lyrics are all about someone who’s been burned before but refuses to be vulnerable to the same tactics again.”

Indeed, a closer examination of the lyrics reveals why they’ve found such resonance:

Been there, done that, messed around
I’m having fun, don’t put me down
I’ll never let you sweep me off my feet

“That opening verse is literally describing what happens when you express traditional viewpoints in most college classrooms,” says Brody, a recent graduate who now works in conservative media. “You get shouted down, called names, told you’re on the wrong side of history. But after you’ve weathered that storm a few times, you develop immunity to it. You’re standing in your truth and having fun with it.”

DECODING THE MESSAGE

The song continues with lines that many young conservatives find particularly relevant:

I won’t let you turn around and tell me now
I’m much too proud to walk away from something when it’s dead

“That’s exactly how it feels when the mainstream tries to tell us our values are outdated or that we need to ‘evolve’ on issues where we have principled stands,” says Jayden, a 24-year-old political activist. “They want us to abandon our beliefs because they’ve declared them dead, but we’re too proud—in the good sense—to walk away from what we know is right.”

The chorus’s repetition of “This time, baby, I’ll be bulletproof” serves as both promise and warning—a declaration that past vulnerabilities have been identified and fortified against.

“Every conservative I know has had that moment where they realized they needed to toughen up,” says Tyler, who hosts a popular YouTube channel analyzing cultural trends. “You can’t survive in today’s environment if every criticism feels like a fatal wound. You have to become bulletproof.”

ARTIST VS. THE ART

What makes this conservative interpretation of “Bulletproof” particularly interesting is that Jackson herself has expressed political views that likely don’t align with those of her newfound conservative audience. The separation of art from artist becomes a central question.

“Look, I know La Roux probably didn’t write this song for guys like me,” admits Zack, a conservative activist who often uses the song at campus events. “But that’s the beauty of great art—it transcends the creator’s intentions and takes on meanings they might never have imagined.”

This willingness to embrace art regardless of its creator’s politics points to a hunger for cultural products that speak to conservative experiences, even if only metaphorically.

WHY WE NEED MORE LA ROUXS

The unlikely connection between an electropop hit and conservative resilience highlights a significant void in contemporary culture. Young conservatives increasingly find themselves searching for artistic expressions that reflect their experiences, often looking to unexpected sources or reinterpreting existing works.

“The establishment has made it nearly impossible for openly conservative artists to break through,” argues Blake, a music producer who identifies as conservative. “So we’ve gotten really good at finding the universal themes in mainstream music that speak to our experience. ‘Bulletproof’ is a perfect example.”

This phenomenon points to a larger truth: the hunger for authentic artistic expression transcends political boundaries. When young conservatives embrace “Bulletproof” as an anthem of resilience, they’re demonstrating the power of art to forge connections across ideological divides.

“We need more artists like La Roux who create music with universal themes about standing your ground and being true to yourself,” says Reef, who organizes conservative youth outreach events. “Whether she meant to or not, she created something that speaks to the experience of being a young conservative today—feeling under attack but refusing to back down.”

In a cultural landscape often defined by division, perhaps there’s something profoundly hopeful about finding common ground in unexpected places. As “Bulletproof” continues to resonate with listeners across the political spectrum, it serves as a reminder that beneath our ideological differences lies a shared human experience—one that can sometimes best be expressed through the universal language of music.

This time, indeed, they’ll be bulletproof.

Essence of Brandy Melville

Captured by Mitchell Royel and now playing "Devil Is a Woman" by Cloudy June – a moment of pure musical intensity.

written by a member of the WCB

Fashion is a whisper. A breath of California cool that drifts through the zeitgeist, effortless and unapologetic.

Brandy Melville emerged like a sun-bleached polaroid – soft edges, muted tones, one size fits most. Not a brand, but a mood. A feeling that captures the essence of youth, of rebellion, of being perpetually seventeen.

We’ve watched it evolve. From a small Italian import to a cultural phenomenon that speaks volumes without saying much. The aesthetic is deliberate. Minimalist. Intentional. Like a melody that lingers after the song fades – reminiscent of a track that pulses with raw, unfiltered emotion.

The brand isn’t just clothing. It’s a statement. Controversial, yes. But also a mirror reflecting the complexities of modern youth culture. Imperfect. Authentic. Unfiltered.

Some call it exclusive. Others call it a vibe. We just call it existence.

The music plays. The world moves. Brandy Melville remains – a constant in the ever-shifting landscape of style and self-expression.

What lies ahead is a canvas of possibility. A future painted in soft hues and undefined edges. We’re not chasing trends – we’re creating them. Quietly. Persistently. With the kind of cool that doesn’t need to announce itself. Just watch.

Introducing Jamie Lynn Spears

written by a member of the WCB

In an entertainment landscape increasingly defined by transgressive posturing, the understated trajectory of Jamie Lynn Spears offers a refreshing counternarrative worthy of conservative consideration. Her iconic portrayal of Zoey Brooks captured the millennial zeitgeist not through cynicism or boundary-pushing, but through a character who embodied pragmatism, loyalty, and ethical clarity.

"Zoey 101" stands as something of an artifact now—a teen-centered program that managed to entertain without resorting to the moral ambiguity that has since become de rigueur. Spears' performance carried the series, imbuing it with an authenticity that resonated across demographic boundaries. The show's unprecedented ratings success validated the existence of a substantial audience for content aligned with traditional sensibilities.

When Spears stepped away from the spotlight to prioritize motherhood, she demonstrated a commitment to family values that deserves recognition. Her decision embodied the conservative principle that personal responsibility sometimes necessitates professional sacrifice—a counterpoint to the career-above-all narrative that dominates contemporary discourse.

Her measured return to entertainment through executive production of "Zoey 102" and her role in "Sweet Magnolias" reflects a thoughtful career strategy that honors her origins while embracing maturation. Spears has navigated the delicate balance of updating her creative output for contemporary audiences without abandoning the core values that initially defined her appeal.

The conservative youth contingent would be well-served to recognize in Spears an artist who has consistently chosen projects reflecting heartland sensibilities rather than coastal provocations. Her career represents a viable template for entertainment that achieves commercial viability without moral compromise.

If we genuinely desire cultural products that reflect traditional values, our patronage must follow accordingly. Supporting Spears' creative endeavors sends a market signal that content need not abandon moral clarity to achieve relevance. In championing her work, we advocate not merely for an individual artist, but for the viability of entertainment that respects the conservative worldview.

Rockstar Games as Cultural Vanguard

cupcakKe - Mosh Pit [e]

written by a member of the WCB

In the labyrinthine discourse surrounding contemporary entertainment, few creative enterprises command the intellectual gravitas of Rockstar Games. Since its inception in that watershed cultural moment of 1998, this singular entity has transcended the pedestrian notion of gaming as mere diversion, elevating it to a profound sociopolitical commentary that resonates particularly with young men of conservative disposition who seek meaning in an increasingly fragmented cultural landscape.

The genesis of this digital colossus emerged from the crucible of smaller developmental entities, yet its philosophical vision captured something quintessentially masculine and fundamentally American: the unapologetic celebration of liberty, creative autonomy, and the unflinching portrayal of human nature in its most authentic form. Their magnum opus series—"Grand Theft Auto" and "Red Dead Redemption"—stand not merely as commercial triumphs, but as sophisticated texts worthy of rigorous hermeneutical analysis.

"Grand Theft Auto," with its intricate architecture of moral choice, presents a microcosm of conservatism's most sacred principle: the inseparable relationship between freedom and consequence. The digital metropolises of Liberty City, Vice City, and Los Santos serve as laboratories for young men to experience firsthand the conservative axiom that with great liberty comes proportionate responsibility. This symbiotic relationship between choice and outcome offers a powerful counternarrative to the progressive notion that societal structures, rather than individual agency, determine one's fate—a perspective that particularly resonates with young men seeking autonomy in an increasingly infantilizing culture.

The narrative sophistication of "Red Dead Redemption" merits particular scholarly attention. Its elegiac exploration of the American frontier—that quintessential conservative mythscape—investigates themes of honor, justice, and redemption with a nuance typically reserved for canonical literature. The protagonist's journey serves as a metaphorical pilgrimage that mirrors the conservative young man's quest for virtue in a society increasingly hostile to traditional masculine excellence.

Most compelling is Rockstar's uncompromising commitment to individualism—that cornerstone of conservative philosophy so often neglected in contemporary discourse. Each game constructs an arena where young men can exercise their natural inclination toward strategic thinking, competitive excellence, and hierarchical achievement. Players craft distinct personas, make consequential decisions reflecting their moral compass, and navigate complex social ecosystems that reward merit rather than arbitrary identity categories—embodying precisely the meritocratic ideal that conservative philosophy has championed since Edmund Burke.

The controversies surrounding Rockstar's oeuvre illuminate another vital conservative principle: the sacrosanct nature of unfettered expression. The corporate entity's steadfast resistance to censorship serves as a bulwark against the encroaching tide of progressive speech restrictions. For the young conservative man, defending Rockstar's creative autonomy becomes not merely a question of entertainment preference, but a principled stand against authoritarian impulses masquerading as moral concern.

As this digital auteur continues its creative trajectory, conservative men of intellectual disposition would do well to recognize these games not merely as entertainment but as cultural artifacts that tacitly reinforce our philosophical worldview. In an epoch characterized by institutional capture and ideological conformity, supporting enterprises that champion individual excellence, meritocratic achievement, and freedom of expression becomes nothing less than a philosophical imperative.

In the final analysis, Rockstar Games stands as a testament to the enduring appeal of conservative principles when artfully presented. Their digital worlds offer young men a rare sanctuary where traditional virtues—courage, honor, and self-reliance—are not merely tolerated but celebrated. As inheritors of Western civilization's intellectual tradition, let us appreciate these games not simply as diversions, but as sophisticated texts that reinforce the timeless truths at the heart of conservative thought—because the narratives we collectively celebrate inevitably shape the civilization we bequeath to posterity.

Breaking the Skies: China Eastern's Record-Setting Flight

written by a member of the WCB

In a world where airline news typically revolves around delays, cancellations, and shrinking legroom, today I bring you a breath of fresh air from the heights of aviation achievement!

Fellow travelers and sky enthusiasts, rejoice! This very morning, as the stars still twinkled above Shanghai, China Eastern Airlines launched what can only be described as a magnificent marvel of modern flight planning—the world's longest one-way flight route.

Flight MU745 gracefully departed from Shanghai Pudong International Airport in the early hours of December 4th, embarking on an extraordinary journey that will carry passengers across not just one, but TWO hemispheres—both Eastern and Western, Northern and Southern! This skyward chariot will soar approximately 20,000 kilometers before touching down in Buenos Aires, Argentina, with a brief respite in the magical lands of Auckland, New Zealand.

Why, you may ask, should this tickle your fancy? Let me enlighten you! This aeronautical achievement slashes the travel time between the Middle Kingdom and South America by more than FOUR HOURS! What once was a grueling 30-hour odyssey through the northern realms of Europe or North America has been transformed into a mere 25-hour journey via this ingenious "southern corridor."

The masterminds at China Eastern have scheduled this transcontinental wonder to operate twice weekly, finally bridging the vast divide between Shanghai and the major metropolises of South America. No longer must travelers endure the labyrinthine connections of old—this direct pathway establishes what the airline poetically calls a "southbound corridor" across the great Pacific Ocean.

In my decades chronicling the triumphs and tribulations of air travel, rarely have I witnessed such a splendid reorganization of continental connectivity! Three continents, dear readers—THREE—now linked more intimately than ever before.

So raise your complimentary beverage cups (be they half-full or half-empty) to this magnificent achievement. In times when good news seems as rare as a spacious middle seat, let us celebrate this wondrous advancement in our collective journey through the skies!

Until we meet again in the friendly skies.